I believe the time is come for a re-estimation of the status of minds in the universe. I use the word mind quite naïvely at first, in the belief that it has a nucleus of meaning that is sufficiently clear. I do not wish its meaning to be restricted to the phenomena of clear consciousness, still less of self-consciousness.

This is an original and stimulating collection of articles by scholars trained in classics, moral philosophy, political science, literature, and intellectual history. Its principal objective is to convey to the modern reader a sophisticated understanding of Homeric and Classical Greek morality and how it differs from our own. Some of the articles focus primarily on Greek value concepts, especially the concept of arete. Others compare those concepts to modern notions of virtue and tolerance, as well as to the work of (...) contemporary literary figures and philosophers, including T.S. Eliot, Alasdair Macintyre, John Wallace, and Philippa Foot. Throughout, the juxtaposition of ancient and modern ideas and the worldviews they presuppose makes these readings both intellectually exciting and revealing. (shrink)

Heidegger's thought has recently been made more available to English readers by the publication of two books: one a translation of one of Heidegger's works, the other, by Thomas Langan, an American scholar, described as a critical study of Heidegger. Heidegger's philosophy has had little or no influence in England; and this seems a good opportunity for considering whether this neglect is merited, or whether some defence can be offered of Heidegger's curious manipulations of the German and Greek tongues. Since (...) An Introduction to Metaphysics philosophises on a basis of Greek, though it purports to be philosophy, not history of philosophy, most of this article will be concerned with Heidegger's use and abuse of that language. I shall suggest, however, that the same conclusions hold good of Heidegger's use of German. (shrink)

This volume brings together eleven essays that address a range of issues extending from broader questions of social justice to the sexual intimacy that bears the mark of our fleshly existence. Collectively, these essays extend the reach of Paul Ricoeur’s early to late works by taking up some of the major social, political and religious challenges facing us in a postmodern, ultrapluralistic world.

The sequence from ideal state to tyran I ny contained in Books VIII-IX of the Republic constitutes neither history nor philosophy of history, but rather completes Plato's overall theory of politics, dealing, like every theoretical science, with simplified or pure cases, and narrated purely for dramatic effort. Popper's view that Plato was fundamentally an historicist is incorrect. Plato makes no straightforward comments on philosophy of history. Perhaps, like many Greeks, he surveyed history pessimistically, but he did not propound an iron (...) law of decay. As a social scientist Plato held that there are laws of political change without supposing the course of history is unalterably fixed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Criticism, Imagination, and the Subjectivization of AestheticsRoger W. H. SavageThe growing discontent with reductivist practices signals a new current in contemporary criticism's understanding of music, literature and art. George Levine's unease with critics who are unable or unwilling to account for their continuing preoccupation with literary texts they expose as "imperialist, sexist, homophobic and racist" illumines the contradiction fueling the reduction of aesthetics to ideology.1 Cultural studies that deploy (...) literature as evidence of the aesthetics' socio-historical substance mask literature's capacity to break open new perspectives on reality by assuming that literary works are politically complicit with the aesthetics' strategic "mystification of the status quo" (A&I, p. 3). Criticism's indifference to its philosophical presuppositions exacerbates the paradox of denouncing a body of works that constitute criticism's aesthetic and intellectual heritage. According to Mario Valdés, literary studies' coming of age mandates that criticism take account of a tradition nurtured by a succession of philosophers including Hans-Georg Gadamer and Paul Ricoeur.2 For Valdés, the post-structuralist realization that literary texts are indeterminate and inexhaustible prohibits replacing the work of art with critical commentaries on it; criticism's collective and determining role belongs to a shared community of commentary whose history and thought is a record of the changing interpretations and understandings of literary texts' meanings. [End Page 164]Valdés's claim extends to the field of contemporary music criticism, where the fashion of denouncing aesthetics as socially pernicious turns against traditional musicology's institutional authority. By demystifying absolute music (instrumental music devoid of programmatic associations), a self-proclaimed critical musicology revolts against traditional musicology's perceived political and ideological agenda. Critical musicology militates against the aesthetic conceit that absolute music transcends its social construction. Yet, by overlooking the philosophical presuppositions that set music's autonomy against practical affairs, new musicology accedes to the schema it recoils against.The tradition nurtured by Gadamer's philosophical hermeneutics and Ricoeur's hermeneutic phenomenology represents a critical current whose significance has been overshadowed by postmodernist investments in decoding music's social and political content. Gadamer's critique of the subjectivization of aesthetics and Ricoeur's meditations on the imagination's capacity for invention offer an alternativeto contemporary music criticism's reaction against the principle of music's aesthetic autonomy. Gadamer and Ricoeur question art's formal separation from reality, which belongs to the history of Kant's radical subjectivization of aesthetics. Gadamer's critique of art's aesthetic differentiation prepares the ground for revealing how socially informed analyses conform to the schema Kant initiates by divorcing judgments of taste from their surrounding cultural ethos. Gadamer argues that, by discrediting theoretical knowledge that does not rely on the methodology of the natural sciences, the transcendental function Kant ascribes to aesthetic judgment lays the foundation for differentiating between art's aesthetic constitution and a concept of truth that accommodates the standard of the natural sciences. Through reducing the "sensus communis to a subjective principle," Kant legitimates his critique of aesthetic judgments by denying taste any importanceas a mode of knowledge.3Ricoeur's hermeneutical reflections on imagination complement Gadamer's critique of a differentiating consciousness that abstracts art works from their cultural worlds. For Ricoeur, imagination is productive when the fictions that works create affect our understanding of ourselves and our world by re-describing reality. Aesthetics' alignment with ideology encounters a limit in the power works evince by unfolding different ways of seeing or hearing reality. Ricoeur's reflections on imagination stand in stark contrast to the idea that individual works represent a form of cultural capital in the struggle for social position [End Page 165] and power. Contemporary critical practices' failure to account for the philosophical separation of judgments of taste from knowledge of reality precipitates the impasse criticism encounters when it identifies aesthetics with ideology at the expense of a work's capacity to affect reality in productive ways. The dispersal and potential disappearance of music's aesthetic character into the recesses of cultural and political analysis keeps step with the conceptual narrowing imposed by a restrictive sociological critique. Demystifying music's ideological representations of gender, race and identity purges romantic... (shrink)

In this paper I wish to discuss a problem which, though it has not in the recent past attracted the attention of many philosophers, nevertheless, in my opinion, belongs quite clearly to that branch of the subject which should rightly be called “philosophy of history”: the problem, namely, of history's intelligibility. Two main questions can be asked about this which it is important that philosophers should answer. The first is that of whether history is intelligible in the sense that we (...) can find intelligible connections bètween all or any of its parts. The significance of this question is apparent enough; for has not one of the philosopher's most pressing problems since Hume's time been that of whether any such connections are traceable in the world of fact? It is true that almost every theory on this subject has been put forward after a consideration of the sphere of physical nature only; but because this procedure has been universally followed, it is not therefore to be accepted as right. For history too offers us facts, and it is at least possible that these differ in important ways from those to be met with in nature, with the result that we can discover other sorts of connection between them than those which the physical sciences recognize. The possibility would seem to be worth investigation, and it is with it that I shall be concerned in the first part of my paper. In the other half I deal with the second main question about historical intelligibility. Supposing that we can find some cases of historical events being intrinsically, i.e. intelligibly related, we can go on to ask whether history is intelligible in a more ultimate sense. Is history, we can now inquire, a thing which is essentially rational, or is the rationality we can find in it of a merely superficial character? To put the problem somewhat more fully, is the historian able to do more than see intrinsic connections between the events which he investigates: can he go further and understand the course of history as a whole, so that he is able to say, in the popular phrases, that history “makes sense,” is “meaningful” and “has rhyme and reason” in it? It seems to me that this is a matter which certainly ought to be discussed by philosophers, if only for the assertion of history's rationality which some philosophers have made. (shrink)

“My only pride is that I am a human being—ein Mensch.” So Kant wrote in one of his Marginalia in his copy of the “Beobachtungen über das Gefühl des Schönen und Erhabenen” of 1764. And he confessed that he had learned from Rousseau “to honor man.” But we may well ask, What really is at issue here?

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 97 supposed by actual idealism is above all moral and involves what Gentile describes as an aspect of divinity or infinity,as well as a concrete, historical aspect. The following chapter treats of the philosophy of "actual" idealism and compares the views of Kant and Gentile on relations between moral conscience and freedom. According to Yalentini, Gentile's idealism is essentially an ethical view. This chapter concludes with noting (...) that Gentile 's solution to the problem of historical knowledge differs profoundly from that of Hegel and Croce. For "reason" is not, for Gentile, a particular interpretation of historical process, but is rather the "reason" of consciousness in activity. In Chapter In, Valentini discusses Gentile's views on art and religion. The section on art concludes with a comparison between Gentile on feeling and Kant on the transcendental unity of apperception. Whereas art is supposed to be one abstract moment of spirit, religion is the other abstract moment. Valentini suggests that Gentile and Feuerbach hold similar religious views on the attributes of divinity, which are nothing other than the loftiest qualities which man feels to possess in his essence. The history of religion is then the history of the progressive humanization of God. Gentile's religion represents a sort of modem Catholicism in that it understands revelation as a fact of conscience, church as a historical institution, dogma as having a negative character and God as a member of the dialogue between God and man. Moreover, Gentile's Catholicism has a national character; it is the religion of the Italian people. Chapter Iv treats of the relations between individual and state. For, according to Gentile, an individual is inconceivableapart from the social relations which lie within him. Here Valentini distinguishes in detail the differences and similarities between the views of Hegel and Gentile on the relations between state and individual. The differences between the views of these two philosophers are due to the differences between their methods. The method of Hegel is empirical and historical, and examines the state (which remains historical) from an external point of view. According to an idealistic method, however, thought is not to be the spectator of a process, but in every instance, an actor, and philosophizing does not result from an analysis of historical reality, but from the negation of this reality in the name of an ideal, which philosophy is to draw from it (reality). The Appendix includes a critical evaluation of the theory of the dialectic. Here Valentini hopes to distinguish between the imaginary and the real or historical applications of the dialectic. He begins his evaluation by asking: Does the doctrine of the dialectic, like the philosophy of idealism, possess negative connotations, which cannot be separated from it? Valentini suggests that in order to answer this question, we must determine the extent to which the dialectical scheme is constitutive of every concept or truth in general. For this is the way in which Hegel intended that the dialectic be understood and evaluated. Some views in Hegel's philosophy of nature are then criticized according to empirical criteria. In conclusion, Valentini attempts to answer both "internal" and "external" criticisms of Marx's view of the dialectic, and shows that there are problems involved in its application, which still have to be resolved. Mv~ M. MILBURN 9 ~an Jos~ ~ate College Husserl und Kant: eine Untersuchung ~ber Husserls Verh~iltni~ zu Kant und zum Neubantianismus. By Iso Kern. (The Hague : Martinus Nijhoff, 1964.Pp. xxiii q- 448.) This is a very important book. In fact, it is indispensable for a study of Husserl and is, at the same time, almost as valuable for a study of Kant, for it deals with the kind of searching questions that must be asked when one deals with transcendental idealism in any one of its forms. But two reasons in particular, make this book significant. One is the fact that Iso Kern was able to make extensive use of hitherto unpublished materials (manuscripts, lecture notes, letters, etc.), available only in the Husserl Archives and here quoted for the first time--and 98 HISTORY OF PHILOSOPHY quoted in great numbers. The other is Kern's philosophical competence... (shrink)

It is a widely held doctrine at the moment that metaphysical propositions are meaningless, are, in fact, not genuine propositions at all. This doctrine is supported by the contention that only propositions which are verifiable are significant: and it is held that metaphysical propositions do not fulfil this condition, and are consequently pseudo-propositions. Those who hold this view divide propositions into three classes: Tautologies; which are analytic, certain, and are guaranteed by the principle of contradiction. Factually significant propositions; which are (...) synthetic, hypothetical, and are capable of empirical verification. Pseudopropositions, which only appear to be propositions and are, in reality, meaningless nonsense. (shrink)